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call for submissions: written on skin: an anthology of etched desire

Written On Skin: An Anthology of Etched Desire
Editors: Remittance Girl, Aisling Weaver, and Raziel Moore
Publisher: Burning Book Press 
 Deadline: June 21, 2013
Payment & Rights: $25 payable via paypal; exclusive digital rights for 4 years.

Burning Book Press is seeking short fiction submissions for an erotic literature anthology.

What we’d like to see: Stories that contain body modification as a central element in the story (tattoos, branding, scarification, piercing, etc. but not plastic surgery or body-building). We’ll consider incidental scars only if they attain specific erotic meaning as part of the story. 

This is primarily an erotic fiction anthology, so we do want a large helping of sexual desire in the mix, but explicit sex is not absolutely necessary if the eroticism is successfully conveyed through the process or the contemplation of some type of body modification. That being said, the aim of the anthology is to invite the reader to contemplate the eroticism of the subject. Stories of extreme body modification that fail to offer the non-fetishist some insight into the allure of it are less likely to be considered. 

Guideline details at:
 http://erotica-readers.com/ERA/AR/Written_On_Skin.htm

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cleispress:

By Shanna Germain

beautiful!
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Call for Submissions: Best Lesbian Erotica 2014

Submission Guidelines for Best Lesbian Erotica 2014

Kathleen Warnock is now accepting submissions for Best Lesbian Erotica 2014, to be published by Cleis Press in December, 2013. 

Payment is $100 for each published story, and two copies of the book.

Submission Guidelines:

Submit short stories, self-contained novel excerpts; the genre is fiction (please don’t submit memoir or poetry)

Unpublished material will be considered

Previously published material (online, in magazines, in other themed anthologies) will also be considered, as long as it was not published in a “Best of…” anthology

Submit two hard copies of each submission (you may print double-sided).

Include a cover page with: Author’s Name, Pen Name (if applicable) Title of Submission(s), Address, Phone, and Email Address, and short (50 words) bio.

All submissions must be printed and double-spaced; number the pages. 

Each submission should be a maximum of 5,000 words (list word count on title page). You may print double-sided.

You may submit 2 pieces of work

No email submissions will be accepted, except in the circumstances detailed below; you can email queries to Kwarnockble (at) gmail.com

Manuscripts will not be returned.

E-mail submissions:

You may submit your story via email (as a Word document or PDF) under the following conditions:

You live outside of North America or Europe

The cost of postage would be prohibitive from your home country

The content of your submission may be illegal to send via postal mail in your home country

Submission Deadline:

Submissions will be accepted throughout the year. The final (postmark) deadline is April 1, 2013. All submissions will be responded to by the end of September. Early submissions are encouraged.

Mailing Information:

Send all submissions to:

Kathleen Warnock

31-64 21st St., #319

Long Island City, NY 11106

Attn: BLE2014

If mailing from the US, First Class mail is fine. If you require a confirmation other than the USPS Delivery Confirmation, please included a self-addressed stamped postcard (not an envelope). If mailing from Canada, Airmail or XpressPost USA are recommended.

Please note: April 1, 2013 is a postmark date. You don’t need to overnight it as long as it is postmarked by then. If you are unable to make the postmark date, please email to discuss the possibility of an extension.

Questions? Email the editor at kwarnockble (at) gmail.com.

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Queer and Trans Calls for Submission (non-erotica specific) January 2013

tgstonebutch:

Queer Calls for Submission (non-erotica) January 2013

These are LGBTQ calls that are not specific to erotica Erotic content may be welcome.

BROAD magazine (Women’s Studies & Gender Studies department at Loyola University Chicago) seeks a range of writing (academic, personal essay, poetry) for their LGBTIQ…

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tgstonebutch:

Most erotic stories that I’ve read are from the bottom’s POV, or use third person omniscience. The ones from the top’s POV are more rare. That is one of the reasons I’ve written quite a few stories from the Dominant’s POV. This afternoon, I went back and looked at some of these stories, and…

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I don’t want to tell you what’s been going on for the past few months.

I don’t want to go back over all the things that have been happening, how I put my head down and worked and traveled from March, when my dad died, through August, and then kept traveling, despite having a little bit of a breakdown. I don’t want to tell you how that felt. I don’t want to tell you how much stress it put on my relationship—relationships—and I don’t want to tell you that I’m not over it. I don’t want to tell you that I can’t get ahold of grief in any real way, that it is a fog and I am stuck inside of it and it’s so thick I can’t always see my own hand in front of my own face unless my palm is touching my nose. I don’t want to tell you about how hard it is to travel and tour because I want you to keep thinking that it’s glamorous. I don’t want to tell you how I feel like I’m still hurtling thirty-thousand feet above the earth and I keep forgetting to ground. I don’t want to tell you that I’ve also been trying to learn how to fly in this year-long tantra training I’ve been undertaking, and that sometimes I purposefully do not ground just so I can keep feeling the flying. I don’t want to tell you that I have never really been a jealous person in my relationships in the past, but that I am struggling with openness, constantly, and in some ways it seems like it’s getting worse rather than better. I don’t want to tell you about that. I don’t want to be the poster child for poly or anything, and I do want to strive to be honest about my processes, but I don’t want to tell you about what’s going on when I haven’t even figured it out for myself. I don’t want to put it all out there for judgment and commentary before I have been able to really see around it, to know where all the holes in my argument may be, which has meant that sometimes, I don’t say anything at all. I don’t want to tell you about how hard it’s been to be in this Tantra training this past year, how I am totally broke and sick of criss-crossing the country. I don’t want to tell you that I don’t know how to date, or what I want, or how to pick people up, or who those people would be. I don’t want to tell you that I don’t know what to do with myself now that I am in this open relationship. I don’t want to tell you that it’s hard. I don’t want to tell you how much I miss my boy, over there on the West coast where the sun sets the right way, over the water. I don’t want to tell you about that, except that I do want to tell you about being in love and all of the amazing things I’ve been learning about myself—and Kristen, and our relationship, and how I know us so much better now, and it’s revealed all sorts of things, and I’ve been working on a piece of writing called How To Break Your Own Heart about poly and what happens when you do the thing that you think you cannot do.

I do want to tell you that I love you. And I mean that kind of literally, that I know that if we met I could find a part of me that loved a part of you, and who knows how big those parts would be. I do want to tell you that I love the kind of sex work I’m entering into, and I do want to tell you that I’m starting to do coaching and mentoring sessions, individually and with couples, and I have no idea how to ask for money to do this thing that I love but I need to. I do want to tell you that Tantra I is happening in upstate New York in three weeks and I hope it’ll happen and I’m not quite sure it will, and I am so thrilled to share these teachings that I’ve been devoting my life to with other people. I do want to tell you that I’m grateful that people still read these words even though I have been pretty terrible at updating things. I do want to tell you that I’m still in love, that I’m still scared to reveal vulnerable things to the fucking judgmental Internet. I do want to tell you that I’m considering chest surgery but I’m definitely not going to tell you that. I do want to tell you that on my run this morning—the first run I’ve gone on in probably at least a month—I found a bird wing and I brought it home and put it on my altar and I’m hoping my cats won’t tear it apart before I learn how to be a hollow bone, how to take flight, and how it is put together.

—-

And also: Grief.

New personal writings on Sugarbutch about my current emotional state … grieving grieving grieving and being angry and fucking everything up. Or, at least, fearing fucking everything up. 

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Call for Submissions: Queer Fresh Meat: Trans and Queer Survivors on In-Community Assault

Queer Fresh Meat: Trans and Queer Survivors on In-Community Assault

co-edited by July Westhale and TT Jax

CALL FOR SUBMISSIONS and FAQ

Q. You mean, even queer people do violent, fucked up things to each other?

Yes. Some queer and trans* people have no reason to love queer or trans* communities. Some of us will never call- nor wish to call- queer community home. Exposed primarily to its failures- its classism, racism, misogyny, ableism, sizeism, self-perpetuating violence- we are exiles, bitter, wandering among trans* and cis, homo and hetero communities that cannot or will not hold our truths.

Queer and trans* communities, like any communities, play out the isms, insecurities, and carefully policed insularities of the dominant culture. “Family”, we frequently name each other- chosen family, beloved community- and yet like any other family, we’ve got skeletons in our closet. Hurt and fear carry as much influence as joy here, abuse- physical, emotional, sexual- as much our shared experience as pride.

Living through trauma is like dropping into the underworld. Unimaginably displaced from our communities, our bodies, our sense of security and safety in the world, we wander penumbral places of fear and possibility from which we must take flight or fall. Confined to liminalities, we are not inclined to slap on rainbow smiles and pretend that nothing happened. It happened. It happened in us and we carry it, all of us, regardless of the vibrancy of our rainbow banner.



Q. So, what’s Fresh Meat?

Imagine an anthology written not by experts but directly by us, the people who lived it, from the ground up. An anthology of stories that neither pretends that women don’t rape nor that everyone who is raped is a woman. An anthology that acknowledges systematic oppression as trauma. An anthology that acknowledges that systematically oppressed peoples do each other violence, even as they attend three hour work planning sessions complete with fresh fruit and iced water to plan their liberation. Imagine an anthology that is specifically by and for queer and trans* survivors of in-community trauma- in all of our wit, boldness, and brilliancy- that is not so much a guidebook to our healing as a map of our return- where we’ve been, where we’re going, where we wish we were. 

Fresh Meat aspires to be that anthology: a queer community coming out, the skeletons of in-community trauma assuming for ourselves flesh and voice, shape-shifting through page and possibility as we perform stories uniquely new and deeply entrenched. For some of us, these skeletons are not our secrets but our most intimate stories, deadly to pack away, imperative to be witnessed, validated, illuminated. Please help us throw wide this cumbrous closet door to the light of duh, people: it happened, it happens, we’re here.



Q. What sorts of work are you looking for? Is this supposed to be, like, art?


We have an extensive wish list: creative nonfiction, experimental fiction and nonfiction, hybrids, calls to action, speculative fiction, flash, revenge fantasies, fabulist pieces, ergodic works, poetry, lyric essays, plays, prayers, screenplays, postcards, drawings, graphic art, photographs of flesh, fear, or dance, letters, appropriated texts, song lyrics, and any other form of text or page-based expressions are wildly welcomed. We hope to explore every possibility of rage, forgiveness, love, loss, and transformation as we clack-dance our skeletons out of the queer-pride closet.



We also hope to include works derived from poly, kink, and sex positive communities that overlap within queer or trans* experiences; works that explore the violent impacts of misogyny, the ridiculousness of trying to access gender-based support services when you have more than one gender, the confluence of race, support, and access, the sick joke that is only funny to you cause laughing is better than laying in bed another day, and the contraindications of class or locality on help and healing. Also, long erratic musings on nonviolent transformation vs. beating the **** out of that ******** ******, how you came to accept your health and wholeness by pounding spaghetti dipped in red paint onto canvases you made from your old bedsheets, and what you really thought about that support group that you had to start yourself once you were discharged from the nuthouse again.

And more. We want raw, witty, mesmerizing, bold. Art in all of its possibility and messiness. Down in the underworld, we learned how deep the wells of our creativity and resiliency really were. Draw from there: breathe life into it, animate.



Q. When should I send in the postcard with the flash piece about the survivor art I made from painted spaghetti and an old bedsheet?

Please send your submissions to freshmeatanthology@gmail.com by July 31st, 2013. Works should be 1-35,000 words, negotiable, and double spaced in .rtf, .doc, or .pdf format. Previously published and simultaneous submissions are fine; please just let us know if your work is accepted elsewhere, as well as all relevant information for any previous publishers. We anticipate going through each submission thoroughly and respectfully, while taking the time to care for ourselves and our personal triggers, so the response time may be several months.



Q. Who can write for this? Are y’all gonna, like, double-check to make sure I’m really gay?

Please only submit if you are or have lived through, or have loved or known someone who has lived through (or is living through), the experience of in-community queer or trans* assault. We talk about assault, for the purposes of this anthology, as the ability to carry out threats of emotional, corporeal, intellectual, implied, verbal, community, or psychological harm due to violence, disruption, or lack of accountability in all of their myriad forms. We believe assault is self-defined. Our job as editors is to curate your stories and archives of healing, and we will not police, invalidate, background-check, or shame you or the manifestations your trauma creates.

**On consent: please note that we value consent and believe that disrespecting the laws of consent further or re-traumatizes victims and survivors. That noted, make sure you receive consent from those you love if you are writing their stories.



Q. What do I do if writing for this triggers the poo out of me? 

For survivor-led, queer, trans, and BDSM-knowledgable emotional support for triggers that this project may trip up on, please call The Network/La Red hotline at 617.742.4911 or 617.227.4911(tty).



Q. Who are y’all, anyway?

July Westhale is a bossy femme writer, activist, and radical archivist with a weakness for botany and hot air balloons. She works as an editor for Arktoi Books (an imprint of Red Hen), Narrative Magazine, and Copper Canyon Press, and writes the Litseen San Francisco column Hello, Typewriter. She was recently nominated for the Best New Poets of 2012 anthology.www.julywesthale.com 

TT Jax is a parent, partner, mixed-media artist, and writer currently living in the Pacific Northwest by way of 28 years in the Deep South. He is a columnist and associate editor for LambdaLiterary.org, blog editor of Specter Magazine , a certified Celebrant, a doula-in-training, a Salmon Steward, a survivor, and a welfare mom. He blogs about homelessness, PTSD, disability, abortion, transitions, dreams, killer bacon cheese dogs, and time at www.ttjax.com.



For more info, please visit http://freshmeatanthology.wordpress.com/

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window

andrewgibby:

If everything is a window, if the wound is a window, if heartbreak is a window, if grief is a window, if the storm is a window, if illness is a window, if loss is a window, you will say you live in a house made entirely of glass, you will say the moon is so close you can catch its reflection on your silver spoon, you will say your spoon is a silver spoon, you will feed yourself light, you will be hungry for nothing but people whose hearts will never close the blinds.   

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College student anonymous sex diarists wanted

rkb:

I’m looking for college students (any school/year/major) to write weeklong anonymous sex diaries for the book I’m editing, out in 2013. It pays. If you know anyone who might be interested, feel free to pass this on or have them email me at sexdiaries at nymag.com and I still need non-students from anywhere that’s not NYC or SF. THANKS!!

Link

rkb:

I’m still on the hunt for sex diarists and I’d love it if you’d pass this on to anyone you know who might be good for this series - the friend who always has great sex and dating stories and wants to anonymous share them! Am on the hunt for sex diarists, gay, straight, bi, single, married, in NYC or not! And it pays. Email sexdiaries at nymag.com and tell me why you’d make a good sex diarist and I’ll send you details. Thanks to all you’ve given me some great leads!

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"I began to write poetry again in 1975, when I fell in love with another woman. I returned to poetry not because I had “become a lesbian”—but because I had returned to my own body after years of alienation. The sensual details of life are the raw materials of a poet—and with that falling-in-love I was able to return to living fully in my own fleshly self."

Minnie Bruce Pratt, in The Struggle to Write

(via persistanceanthology

(via tgstonebutch)

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Call for Submissions: Trans & Genderqueer Poetry

Dear Author,

We want your words.

What is the project: We are creating an anthology. An anthology of the best poems out there by trans and genderqueer writers and we would love to include your work in the book. Our assumption is that the writing of trans and genderqueer folks has something more than coincidence in common with the experimental, the radical, and the innovative in poetry and poetics (as we idiosyncratically define these categories), and with your help we’d like to manifest that something (or somethings) in a genderqueer multipoetics, a critical mass of trans fabulousness.

This anthology is edited by TC Tolbert and Tim Peterson (Trace)—both trans-identified poets. It will be published by EOAGH Books in early 2012, and you can bet it will be widely distributed!

We encourage submissions by people of color, people with disabilities, people educated by life or school or some of both or neither, people with no publications or a gazillion. We encourage bilingual poems, poems by trans folks who are non-native English speakers, poems that do stuff with language we couldn’t even imagine until now. Here’s the deal: we want the best poetry by trans and/or genderqueer identified writers in the galaxy. Please help us make that happen.  Send us your most phenomenal work!

Deadline for Submissions: Nov 30, 2011
What to Submit: 7-10 pages of poetry (no more than 1 poem per page), and a prose “poetics” statement (see below) in .doc, .docx, or pdf format.  We prefer unpublished poems but will consider previously published work.  Please let us know where, when, and by whom your work has been published when you submit.  Thanks!
Where to Submit: email us at transanthology@gmail.com

Why is this anthology important: While trans and genderqueer poets have existed for hundreds, if not thousands, of years, there has never been a collection of poetry exclusively by trans and genderqueer writers that also highlights a diverse range of poetics and other marginalized identities. Each particular understanding of self and gender creates an essentially complex and rich multipoetics that undermines any sort of universal trans aesthetic. Inherently multi-vocal and anti-hegemonic, a singular trans experience simply does not exist and, frankly, we don’t want it to. For this reason, an anthology is the most conducive venue for undoing any attempted whitewashing and/or homogenizing of an imagined trans voice. As we said, we want your words. The words, syntax, perspective, lyric, narrative, image (or the disruption of any of these) that could actually only come from you.

What kind of writing are we looking for: This anthology seeks writing that makes us wet our panties a little bit and wonder what the f* have we been doing with our lives all this time. Subject matter and/or content is open – you do not need to send us only poems about gender (although you may).  While this project exists in a historical context of several important anthologies that gather marginalized and under-represented writers (This Bridge Called My Back, No More Masks, The World in Us, Premonitions, The Open Boat, etc), this will be the first anthology to foreground the poetic writings of trans and genderqueer authors. The book will feature 7-10 pages of work from approximately 35 poets and we hope you will be one of them!

A meta-layer of fabulous: One thing that makes this anthology unique is that it will include a statement on poetics by each participant, along with your poems. This is a chance for you to tell us something about your writing process, writing practice, theory of life, or whatever you like. It might include the relationship of the body and text, or the practice of reading and misreading text and the body, or locations, connections, and divisions of the self amongst text and the self amongst other bodies or…you get the point.

About the editors:

TC Tolbert is a genderqueer, feminist poet and teacher committed to social justice. S/he is the Assistant Director of Casa Libre en la Solana and an Adjunct Instructor at The University of Arizona and Pima Community College. S/he is the creator of Made for Flight, a youth empowerment project that utilizes creative writing and kite building to commemorate murdered transgender people and to dismantle homophobia and transphobia. TC’s chapbook, territories of folding, was recently published by Kore Press. His poems can be found in Volt, The Pinch, Drunken Boat, Shampoo, A Trunk of Delirium, jubilat, andEOAGH. His work won the Arizona Statewide Poetry Competition in 2010 and was a Sawtooth finalist in 2009 and 2010. His first full length collection, Gephyromania, is forthcoming from Ahsahta Press. www.tctolbert.com

Tim Peterson (Trace) is a trans-identified poet, critic, and editor. The author of Since I Moved In (Chax Press), and Violet Speech (2nd Avenue Poetry), Peterson also editsEOAGH: A Journal of the Arts (which published a special issue Queering Languagededicated to trans poet and mentor kari edwards in 2007). Peterson’s poetry and criticism have been published in Colorado Review, EBR, Five Fingers Review, Harvard Review, Leonardo Electronic Almanac, The Poetry Project Newsletter, Transgender Tapestry, and in the recent book NO GENDER: Reflections on the Life and Work of kari edwards(Belladonna/Limus Press). A Ph.D. student in English at CUNY Graduate Center, Peterson curates the TENDENCIES: Poetics & Practice talks series dedicated to queer writing and the manifesto. More information at http://tendenciespoetics.com

We are incredibly excited about this project and look forward to working with you!

Thank you!

TC and Trace

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Call for Submissions: Enough

CALL FOR SUBMISSIONS

Enough: The Personal Politics of Resisting Capitalism

We created the website Enough in 2008 in response to a yearning for discussion about radical approaches to day-to-day decisions about money and resource sharing. Enough has been a space where people have shared their stories, questions, and strategies about what it means to practice a politics of wealth redistribution in their day to day lives while being immersed in capitalism. We are now compiling additional essays to be published in book form.

We are seeking essays about how we conceive of and live a politics of interdependence, resource sharing, and wealth redistribution beyond and in resistance to capitalism.

Deadline: Feb 15, 2012

More details: Please visit www.enoughenough.org/about

Enough asks questions such as:

What are the various ways we are sharing resources to support community and movement-building?

What does a politics of wealth redistribution look like in the day-to-day, and what are the obstacles to developing conversations about this in political communities we belong to?

How can we build new models of collective support based in interdependence, care, and sustainability?

Topics could include (but are definitely not limited to):

  • Strategies for collective income sharing within communities, community emergency funds, sharing of resources beyond money, etc.
  • Local currencies.
  • Collective, equitable approaches to land and real estate.
  • Reparations.
  • Fundraising strategies that directly challenge capitalist power dynamics.
  • Community-based strategies for supporting mental, physical, emotional, and spiritual health.
  • How people who have inherited wealth are redistributing it equitably, and what challenges and opportunities they’ve encountered.
  • How people who work together are creating methods and cultures of supporting each other as whole people.
  • Exciting models of people dealing with money ethically in activist spaces and organizations.
  • Anti-capitalist/anti-racist/anti-imperialist analysis of choices about saving for retirement, buying real estate, taking certain jobs, supporting our communities, etc.

Questions? Email  info (at) enoughenough.org

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Call for Submissions: Spectrum Magazine

Spectrum is a magazine dedicated to providing a place for gender queer individuals to speak out about information and issues that affect us all.

The gender queer spectrum includes those who identify as Trans, Bi-gendered, Femme, Butch, boi, Androgynous, Agendered, and many other gender terms that are not well known yet.  This is a place dedicated to honoring the full expression of gender that humanity is capable of.

As a publication of ideas and perspectives, we offer a forum through which gender queer writers, scholars, and readers can use the internet to deeply explore themes of interest to our rich blend of identities.

We trace our roots to our gender queer pioneers at places like Stonewall that existed all over the world.  We welcome and encourage today’s emerging queers as they discover their own gender identity and expression. Spectrum looks to spark discussion that is informed, and current while providing a much needed link to the history of the gender queer movement.

Submissions
We accept submissions of news, reviews, opinion, commentary, and nonfiction that has a gender queer subject/slant/impact and pertains to the following categories; **
News & Politics,
Love & Sex,
Media & Arts,
Hero’s & History,
Gender Theory,
Non-Traditional Families,
Global Events.

**Feel free to contact us before writing to gauge the usefulness of your story idea, but note that any and all manuscripts are submitted on speculation. We print the best and most appropriate material to meet the needs and expectations of our readers at the time. Your submission may not be accepted if we may have similar stories already, a backlog of features, or have already covered the topic in a recent issue. Don’t be discouraged; your piece might be perfect for a future issue. We will keep it in our archives for just such a purpose. We are happy to work with new writers who are queer or have insights of interest to our readers.  All individuals who’s work is accepted will have a unique author profile which will include a bio and publication history.

Word Count
Due to the wide ranging subject matter we do not have a maximum word count.  We are looking for concise event and review material as well as feature length articles.  Minimum word count for reviews is 450.

How To Submit
Send submissions to Tribequeer@gmail.com:
– Attach the story in RTF or DOC formats.
– In the subject line put the SUBMISSION (in all caps), your name and word count.
– In then body of the email, put your name, pen-name (if any), contact information, a short bio, two to three lines, as well as any credits or relevant websites you wish to plug.
– The story should be double-spaced, in a readable font, and as you originally formatted it; paragraphs indented, italicized words in italics, etc.    It is helpful to our editors if you follow the standard manuscript guidelines (Though no story will be rejected for failure to follow them to the letter).

Response Time
Spectrum will respond to your submission as soon as possible; our policy is to have a response to all submissions within 1 month.
Editorial Caveat
Stories should be thoroughly proofread before submission. We do understand that minor mistakes will slip by and we will correct them before publication on the website. Minor grammatical changes may be made to the story; however, we will seek the author’s permission before publication.

Publishing Rights
We do not ask for first North American publishing rights to your work; whatever you send us can be submitted again to another publication. If you do send us a piece that has already been published or exhibited elsewhere, please include the name of the venue and the date of your publication/exhibit so that we can post the appropriate credits. However, we do ask that you not send us any simultaneous submissions.

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"

Writers are often asked, How do you write? With a wordprocessor? an electric typewriter? a quill? longhand? But the essential question is, “Have you found a space, that empty space, which should surround you when you write?” Into that space, which is like a form of listening, of attention, will come the words, the words your characters will speak, ideas - inspiration.

If a writer cannot find this space, then poems and stories may be stillborn.

When writers talk to each other, what they discuss is always to do with this imaginative space, this other time. “Have you found it? Are you holding it fast?”

"

— Doris Lessing, On Not Winning the Nobel Prize (via wood s lot) Thank you, A Writer’s Ruminations. (via crashinglybeautiful)

(via tgstonebutch)